60 WEEKS WITH THE JUSTICE LEAGUE: Week 40

Justice League America #40
Jul. '90
"Hell on Earth"
Keith Giffen, J.M. DeMatteis, Adam Hughes, José Marzan Jr., Bob Lappan, Gene D'Angelo, Kevin Dooley, and Andy Helfer present perhaps the strangest Justice League tale ever! (And considering how weird this book usually is, that's saying a lot!)

Justice League Europe #16
"The Extremist Vector Part Two: Conquest"
Keith Giffen, plot & breakdowns
Gerard Jones, dialogue
Bart Sears, pencils
Randy Elliott, inks
Bob Lappan, letters
Gene D'Angelo, colors
Kevin Dooley, sound
Andy Helfer, fury


First, a confession: I was remiss in my duties last week and failed to mention the debut, in JLE, of Power Girl's new threads. Of course, looking at the outfit, perhaps you'll wish I'd continued to spare you from acknowledging this embarrassing historical footnote.

So long as we're taking people--myself included--to task for clerical errors, let's also note that JLE's cover credits mistakenly name DeMatteis in place of Jones. Inside the book, I failed to recognize that Randy Elliott took over inking from Pablo Marcos this issue, but I suppose that just goes to show you that editorial did a bang-up job finding a replacement for Marcos. The story itself finds the JLE boarding a borrowed JLA cruiser to fly to Moscow, lest the Extremists slaughter them as they materialize in the transporters. By the time the League arrives, however, Moscow--and her protectors, the Rocket Red brigade--have been laid to ruin, and it doesn't take long for the Leaguers themselves to be incapacitated, leaving the Extremists to go destroy the next city they encounter. This is gonna be an ugly, protracted battle, I suspect.

Most bizarre in this issue of JLE is a completely unnecessary retcon of the Blue Jay/Silver Sorceress/Wandjina backstory. I understand that the creative team is trying to work in the Extremists, but saying Blue Jay and co. jumped back and forth between worlds a couple of times, and then showing them trading punches with Hal Jordan, is completely uncalled for. We know how this stuff played out back in Justice League #2, and boy howdy, this ain't the way it was:

Over in America, I'm not entirely sure the book lives up to its title-page promise of being stranger than ever--Kooey Kooey Kooey is still fresh in my mind--but it is a pretty fascinating read, ably complemented by guest inker José Marzan Jr., who does a fine job filling in for Rubinstein, although I hope the latter returns soon, all the same. Divided evenly into two acts, the book's first half finishes the Despero storyline, with J'onn infiltrating Despero's mind and offering the alien villain "mayavana," a once-in-a-lifetime Martian offering that creates a perceived reality in the receiver's consciousness that's even more convincing than the actual reality in front of his eyes; with this gift, J'onn convinces Despero that he's succeeded in defeating the Justice League and destroying the Earth in toto. The whole experience reduces Despero to a fetus-like state of suspension (from which he'll no doubt be resurrected again down the line).

Complete with costumed heroes attending a funeral and bold black borders lining every page and panel, act two is all about mourning for Scott Free, a.k.a. Mr. Miracle, whom Despero blew up last issue. Forgive me if I sound callous here, but JLA and JLE's letters pages run solicitations for Mr. Miracle's book, so I feel confident he's not actually dead. However, my confidence isn't shared by the cast of characters. Barda blames Max and lets him know with a powerful haymaker. Superman tells Batman (who in turn tells Max) that the League hasn't got enough muscle, and unless it gets more, Scott will be the first of many casualties. After thoughtlessly trying to recruit Gypsy for his new team at the cemetery, Booster gets scolded by Beetle and returns to his new Conglomerate office, where he's in no mood for Claire Montgomery's news that Praxis has sent "a confirmation." And then, there's Guy and Ice:

It's time once again for cover credits! From "Justice Log":"Adam Hughes did pencils 'n' inks, Bob Le Rose did colors 'n' stuff." From "Europinion": "Bart Sears on pencils, Joe Rubinstein on inks, Bob Le Rose on colors, Andy Helfer on lead guitar."

Meanwhile, the Dick Tracy marketing train keeps chugging along:

The complete 60 Weeks with the Justice League on The Danger Digest:
#1, #2, #3, #4, #5, #6, #7, #8, #9, #10, #11, #12, #13, #14, #15, #16, #17, #18, #19, #20, #21, #22, #23, #24, #25/1, #26/2, #27/3, #28/4, #29/5, #30/6, #31/7, #32/8, #33/9, #34/10, #35/11, #36/12, #37/13, #38/14, #39/15, #41/17, #42/18, #43/19, #44/20, #45/21, #46/22, #47/23, #48/24, #49/25, #50/26, #51/27, #52/28, #53/29, #54/30, #55/31, #56/32, #57/33, #58/34, #59/35, #60/36


Dick Tracy ad copyright Disney. All other images this post copyright DC Comics. Original text copyright Jon D. Witmer/The Danger Digest.

60 WEEKS WITH THE JUSTICE LEAGUE: Week 17

Justice League International #17
Sept. ‘88
“Only the Dead Know Bialya!”
Keith Giffen: plot & breakdowns
J.M. DeMatteis: script
Kevin Maguire: pencils
Al Gordon: inks
Bob Lappan: letters
Gene D’Angelo: colors
Andrew Helfer: editor


Captain Atom shows up just in time to stop the radioactive Wandjina from killing his teammates. However, he doesn’t show up in time to stop Blue Beetle and Booster Gold from running around like they’re in Wham (with Green Flame playing backup).


Also, in the letter’s page, Mark Waid confirms what he let slip back in issue 13, writing, “Black Canary is gone. Really she is. I promise. She’s no longer around. So will you guys GET OFF MY BACK?”



The complete 60 Weeks with the Justice League on The Danger Digest:
#1, #2, #3, #4, #5, #6, #7, #8, #9, #10, #11, #12, #13, #14, #15, #16, #18, #19, #20, #21, #22, #23, #24, #25/1, #26/2, #27/3, #28/4, #29/5, #30/6, #31/7, #32/8, #33/9, #34/10, #35/11, #36/12, #37/13, #38/14, #39/15, #40/16, #41/17, #42/18, #43/19, #44/20, #45/21, #46/22, #47/23, #48/24, #49/25, #50/26, #51/27, #52/28, #53/29, #54/30, #55/31, #56/32, #57/33, #58/34, #59/35, #60/36


All images this post copyright DC Comics. Original text copyright Jon D. Witmer/The Danger Digest.

60 WEEKS WITH THE JUSTICE LEAGUE: Week 16

Justice League International #16
Aug. ‘88
“Bialya, My Bialya”
Keith Giffen: plot & breakdowns
J.M. DeMatteis: script
Kevin Maguire: pencils
Al Gordon: inks
Bob Lappan: letters
Gene D’Angelo: colors
Andrew Helfer: editor


Kevin Maguire is back with a vengeance for what just might be the best-looking issue of this book yet. Even crazier is the return of Wandjina the Thunderer, who’s become a sort of radioactive Frankenstein’s monster in the pocket of Colonel Harjavti. Anyway, that’s what Harjavti believes until Queen Bee plays this hand:


Huzzah, dear readers--huzzah!



The complete 60 Weeks with the Justice League on The Danger Digest:
#1, #2, #3, #4, #5, #6, #7, #8, #9, #10, #11, #12, #13, #14, #15, #17, #18, #19, #20, #21, #22, #23, #24, #25/1, #26/2, #27/3, #28/4, #29/5, #30/6, #31/7, #32/8, #33/9, #34/10, #35/11, #36/12, #37/13, #38/14, #39/15, #40/16, #41/17, #42/18, #43/19, #44/20, #45/21, #46/22, #47/23, #48/24, #49/25, #50/26, #51/27, #52/28, #53/29, #54/30, #55/31, #56/32, #57/33, #58/34, #59/35, #60/36


All images this post copyright DC Comics. Original text copyright Jon D. Witmer/The Danger Digest.

60 WEEKS WITH THE JUSTICE LEAGUE: Week 3

Justice League #3
July ‘87
“Meltdown”
Keith Giffen: plot & breakdowns
J.M. DeMatteis: script
Kevin Maguire: pencils
Al Gordon: inks
Bob Lappan: letters
Gene D’Angelo: colors
Andy Helfer: editor
Special thanks to Terry Austin


As did issue 2, issue 3 ends with another would-be letters page commandeered by editor Andrew Helfer. I give him credit for emphasizing the important role of the inker, letterer and colorist, but when he writes “Gene is one of the few guys that can take characters of fifty different colors and find a background color that NONE of theme fade away against,” it really seems to diminish the thoughtfulness and artistry that goes into good coloring and, indeed, is evident in D’Angelo’s work. Perhaps more illuminating is Helfer’s quick run-through of the creative process behind this book:

“Mr. Giffen plots the story first--that is, he sits down with the editor at regular intervals (usually once a month) and figures out the events that will take place in any given issue. This includes both major plots, subplots, character ‘bits’ and anything else the plotter cares to toss in. Usually, the average writer will then hand in a typed, page-by-page breakdown of the story, which the penciller will then illustrate; in Mr. Giffen’s case, an uncontrollable fear of typewriters (or maybe just their ribbons) forces him to produce his plots as a set of mini-pages, which acts as a layout ‘guide’ for the pencil artist [….] Once the page is penciled, the entire package is shipped off to the scripter, who dialogues the pages based on the plot.”

Helfer goes on to explain scripter J.M. DeMatteis’ late arrival to the title; apparently the plotted and penciled pages for the first issue sat for some time before DeMatteis was officially on the book and writing the dialogue, which in turn slowed the inking process, requiring Al Gordon to take over responsibilities from Terry Austin. To my mind, even though this essentially describes the now-antiquated “Marvel Method,” when two writers are involved, it opens the door for a disconnect between the art and text such as is seen on page 12:


If the man in the red suit is the first to recognize the danger, his expression in the fourth panel seems redundant at best and awkward or downright inconsistent at worst. My suspicion (and it is only a suspicion) is that DeMatteis’ script changed the action Maguire penciled from Giffen’s breakdowns; it looks suspiciously like the workers seen in the first two panels realize the danger when the screen illuminates in panel three, and the man in the foreground of panel four is the only one who voices the reality these players are all suddenly made aware of.

But I’m getting ahead of myself. Sticking with the art for a moment but jumping back to the book’s cover, I feel this issue is a definite improvement over issue 2, but it still falls short of the bold standard set by the series’ first issue. All the same, I very much respect the composition, with the title itself pointing to our heroes, who are further caged by the fence (made to look even more threatening thanks to the illustration’s perspective) and the encircling Rocket Red Brigade.

The 22-page story itself plays out pretty straightforwardly: Colonel Harjavti convinces Wandjina, Silver Sorceress and Bluejay--the three aliens who have come to Earth to destroy the planet’s nuclear arsenal and prevent the type of global cataclysm that left their home world a lifeless husk--to remove the Soviet Union’s warheads, leaving the Justice League no choice but to breach Soviet airspace and risk an international “incident” to stop the trio.


Inside Russia, the team is stopped by the Soviets’ super-guardians, the Rocket Red Brigade, and airborne fisticuffs naturally ensue. However, with so many super-powered folk flying around uninvited, Russia’s nuclear infrastructure goes on high alert, and when the nuclear power plant from page 12 improperly shuts down, the Rocket Reds are forced to seek the League’s assistance in preventing a core meltdown.


Arriving at the plant, the general consensus is it’s too late to do anything, until Wandjina flies into the belly of the beast, apparently sacrificing himself to save the day--an act of heroism the rest of this cast seems incapable of performing. (Granted, I can appreciate that it’s bad for business to kill Batman--oh, wait. Anyhow, back in ’87, it wasn’t so easy for DC’s characters to return from the dead.)


Kicked out of the Soviet Union as soon as the crisis has been averted, the JL returns to headquarters, where they find the enigmatic Maxwell Lord waiting with the League’s “newest member,” Booster Gold.


Lord also factors into the middle of this book, when he makes a phone call to Gorbachev himself (or at least his cartoon counterpart) in order to smooth over the JL’s intrusion into the U.S.S.R.


Over this series’ first three issues, I dare say Lord’s behind-the-scenes moves have been the most interesting--or intriguing, anyway--story beats, and I’m hopeful that his stepping out of the shadows will pay dividends over the next few (or, ideally, more) issues.

It’s certainly noteworthy that thus far, the League has spent most of its time either fighting amongst itself or chasing after three aliens whose mission was essentially righteous. It’s a sign of the times that the Cold War takes such a front seat, and it’s significant that Reagan is frequently name-dropped and Gorbachev actually makes an appearance. This iteration of Justice League began its run roughly a month after Reagan addressed the nation regarding the Iran-Contra affair, and only a year and a half after the Challenger tragedy. It’s disingenuous, of course, to say that in 1987 the world seemed decidedly real, but for whatever reason, the “real world” was invited into the pages of our four-color entertainment. (In truth, this could well have to do with the aftermath of DC’s epic Crisis on Infinite Earths: After decades of multiple Earths existing across the dimensional planes, the company wanted its readers to know that the One World that remains is very much Our World.)

More next week…




The complete 60 Weeks with the Justice League on The Danger Digest:
#1, #2, #4, #5, #6, #7, #8, #9, #10, #11, #12, #13, #14, #15, #16, #17, #18, #19, #20, #21, #22, #23, #24, #25/1, #26/2, #27/3, #28/4, #29/5, #30/6, #31/7, #32/8, #33/9, #34/10, #35/11, #36/12, #37/13, #38/14, #39/15, #40/16, #41/17, #42/18, #43/19, #44/20, #45/21, #46/22, #47/23, #48/24, #49/25, #50/26, #51/27, #52/28, #53/29, #54/30, #55/31, #56/32, #57/33, #58/34, #59/35, #60/36


All images this post plus Andrew Helfer quotes copyright DC Comics. Original text copyright Jon D. Witmer/The Danger Digest.

60 WEEKS WITH THE JUSTICE LEAGUE: Week 2

Justice League #2
June ‘87
“Make War No More!”
Keith Giffen: plot & breakdowns
J.M. DeMatteis: script
Kevin Maguire: penciller
Al Gordon: inker
Bob Lappan: letterer
Gene D’Angelo: colorist
Andrew Helfer: editor


Picking up the day after the events of Justice League #1, “Make War No More!” throws the reader headlong into late ‘80s Cold War politics as only a comic book of the era could, with the introduction of a galaxy- and dimension-spanning trio of “heroes” who have tasked themselves with ridding the universe of nuclear weapons, the likes of which destroyed their own home world. First things first, though: Batman has to be an insensitive dick.



Despite Dr. Light’s help taking down the terrorists at the U.N., Batman’s peeved that she’s in possession of a signal device of unknown origin, and he’s determined to figure out from whence it came. His interrogation of the good doctor takes a coffee break when Blue Beetle calls the gang around the TV for the latest episode of Jack Ryder’s Hot Seat (misspelled “Rider” in one panel). The TV-screen panels certainly owe a debt to Frank Miller’s serious (some might say “decadent”) The Dark Knight Returns, to which this series’ comedy stands in response.



Beetle and co. aren’t the only ones enjoying the show: Ryder’s commentating serves as an “aural” bridge to the mysterious Maxwell Lord’s one and only page this issue. A potent page it is, though, portending of things to come as Lord welcomes Booster Gold into his office.



Following the Ryder episode, two pages reveal the whereabouts--metaphysical though they may be--of Dr. Fate, who up and disappeared during the first issue. It seems trouble is brewing with the Gray Man, and Fate pays a visit in an effort to keep the old-timer in check.



Page 8 takes us to that smallest of nuclear powers, the backwater country of Bialya, nestled somewhere in Eastern Europe. There, the Silver Sorceress, Wandjina and Bluejay have arrived to send the small nation’s nuclear arsenal into another dimension. Apparently successful in their mission, the three are welcomed by Bialya’s scheming leader, Colonel Rumaan Harjavti, who entices the heroes to make camp with him, and by issue's end directs their attention to the U.S.S.R.




By way of a two-page flashback, the creative team explains that these three characters hail from a world surprisingly like our own, only one that finally teetered over the brink and into nuclear Armageddon. In fact, the parallels between the worlds are so pronounced (beyond even a common species and language) that these three survivors mourn the loss of Captain Speed, “the fastest man on two legs,” which would have rung a number of bells back in ’87, not too terribly long after “the fastest man alive,” Barry Allen, lost his own life.




Thanks to a newscast, the trio’s actions finally catch the attention of the Justice League, and the two groups face off over Bialya. The conflict finds a temporary resolution (at least for this issue) when Batman accepts that the League is violating Bialyan airspace and leads his team away.



Throughout the issue, Batman stands firm as the team’s leader, even if his fellow members respect his guidance rather grudgingly. Significantly, though, J’onn takes his own place as a sympathetic, levelheaded and ultimately strong second in command. Regarding the story itself, it feels quite dated anymore, very much a product of 1987. Otherwise, the characterization and dialogue continue to entertain, although Guy Gardner’s insistence on referring to Captain Marvel as “Captain Whitebread” reads terribly--and even embarrassingly--stilted.



As for the art, the cover is a true weak link, a real step into mediocrity after the bold and now rightly iconic cover image from issue 1. Inside the book, however, Maguire and Gordon’s work again shines, with Maguire’s penchant for facial expressions perhaps best manifesting itself with a group of Bialyan soldiers, awestruck by the power of the Silver Sorceress, Wandjina and Bluejay.



Speaking of Bluejay, I was at first utterly confounded by his actual size, but upon a closer read or three, it seems he can shift his size, shrinking down to the approximate scale of his namesake, or growing to roughly the size of his compatriots. (Also, on the subject of artwork and as an addendum to last week’s post, it was unfair of me to credit Maguire for the run of the book when he was in fact off of the title for much of its run. However, in the 20-plus issues he did pencil, he undoubtedly developed the Justice League style, to which his successors would lend their own touch.)



The issue ends with the space that will become the letters page, now simply titled “Justice League” to match the book. Only being issue number 2, however, the space eschews letters in favor of a piece penned by editor Andy Helfer, who details this reboot’s genesis. Here are what strike me as two especially noteworthy passages:

“The JUSTICE LEAGUE of AMERICA defines the greatest of DC’s heroes in a way which ‘solo’ superhero books can not--that is, it defines the individual heroes in the context of their peers--it deals with the FRATERNITY OF HEROES, and allows readers, for a few brief moments, to enter into that private world, and see how heroes interact with EACH OTHER, rather than the ‘ordinary’ people the heroes are sworn to protect, or the villains they are duty-bound to battle [....]

“Even in the old days, the emphasis on America was down played. The JLA saved the WORLD, the UNIVERSE, every month--the considerations of America were almost petty in comparison. Even though they consistently stated their national affiliation (and even though there always seemed to be at least one MARTIAN in the group) the JLA always represented the interests of more than a single country. They played for the BIG STAKES--and perhaps the insistence on maintaining the ‘America’ led to some confusion on the part of the readers. Perhaps. We don’t really know. Either way, though, we immediately dropped the ‘Of America.’”

BONUS!

Boy, did I love The Centurions back in the day, especially the green dude who I swore was an animated Tom Selleck. It’s a real shame I missed out on this miniseries, advertised opposite page 17 in this issue…




The complete 60 Weeks with the Justice League on The Danger Digest:
#1, #3, #4, #5, #6, #7, #8, #9, #10, #11, #12, #13, #14, #15, #16, #17, #18, #19, #20, #21, #22, #23, #24, #25/1, #26/2, #27/3, #28/4, #29/5, #30/6, #31/7, #32/8, #33/9, #34/10, #35/11, #36/12, #37/13, #38/14, #39/15, #40/16, #41/17, #42/18, #43/19, #44/20, #45/21, #46/22, #47/23, #48/24, #49/25, #50/26, #51/27, #52/28, #53/29, #54/30, #55/31, #56/32, #57/33, #58/34, #59/35, #60/36


All images this post plus Andrew Helfer quotes copyright DC Comics. Original text copyright Jon D. Witmer/The Danger Digest.