"Glory Bound, Pt. 4: Glory and Shame"
Guns at the ready, a patriotic song on their lips, those freedom-fighting daredevils of DC strike again!
Keith Giffen, plot & breakdowns
J.M. DeMatteis, script & kibitzing
Linda Medley, pencils
John Beatty, inks
Bob Lappan, letters
Gene D'Angelo, colors
Kevin "Halls of Montezuma" Dooley, asst. editor
Andy "Montezuma's Revenge" Helfer, editor
Keith Giffen, creepy plot
Gerard Jones, crawly dialogue
Bart Sears, squirmy pencils
Randy Elliott, wriggly inks
Bob Lappan, slimy letters
Gene D'Angelo, slippery colors
Kevin Dooley, squishy assistance
Andy Helfer, soil aeration
In the penultimate chapter of the "Glory Bound" saga, General Glory's accused of committing war crimes back in the Second World War, namely destroying an Allied P.O.W. camp and killing everyone therein. What with his amnesia and all, the good General can't say for certain that he's innocent, and goes willingly into custody--although Guy Gardner isn't quite so willing to stand by and watch this happen, and it takes the rest of the League to keep him from absconding with Glory and grinding the feds to pulp.
As the story unfolds, Schmidt takes flight in yet another Nazi superweapon, this one a flying sphere called "The Evil Eye." Meanwhile, Joe Mason, the artist of General Glory's old comic book, steps forward to help the League clear Glory's name. It's pretty fantastic (not to mention meta) that the fate of this hero seems to lie in the hands of his illustrator.
Speaking of artists, Medley continues to do excellent work in her fourth consecutive issue, but it's JLE whose pages really shine. The usual team of Sears and Elliott again handle the art chores, but Elliott seems to have upped his game significantly for the final chapter of the Crimson Fox origin arc, truly fleshing out Sears' pencils and adding three-dimensionality to the 2-D page. (Credit, of course, is also due D'Angelo's coloring prowess.) I've liked his inks since he joined this title back in issue 16, but here his contributions clearly elevate the already impressive art.
There being two sisters who share the cowl of the Crimson Fox, and my being pretty in the dark about the character beyond the JLE issues we've so far covered, I did wonder whether one of the two would prove to be expendable in the creators' eyes, but in usual heroic fashion, both D'Aramis sisters survive to continue fighting crime. There's no such happy ending for the giant worms, however, nor for the D'Aramis' sworn nemesis, Puanteur, whose thirst for vengeance completely blinds him to any practical considerations, such as preserving his own neck. This is a morality tale, after all.
"Justice Log" offers some fun facts this issue, great for keeping people entertained at parties, to wit:
The most important question we've ever been asked comes form Michael Thibodoeau, Edmunston, New Brunswick, Canada. It's "What does J'onn prefer most: Oreos, Oreo Double Stuff, or chocolate-coated Oreos?" Answer: yes, but usually the plain ones.And of course, what's a letter column without cover credits? From "Justice Log": "Cover Credit Cards: Adam 'Mastercard' Hughes on pencils, Karl 'Visa' Story on inks, and Bob 'AMEX' Le Rose on colors." And from "Europinion": "Cover by Bart, Randy, and Bob--pencils, inks, colors."
Lots of basic questions from Sigurdur Jonas Gudmundsson, Paris, France, like when we published and who was in our first JLA magazine. The first JUSTICE LEAGUE OF AMERICA was in 1960 and starred Superman, Green Lantern, Batman, and J'onn J'onzz. ... He asks who was DC's first character--probably Oswald the Rabbit in NEW FUN COMICS in 1935.
The complete 60 Weeks with the Justice League on The Danger Digest:
#1, #2, #3, #4, #5, #6, #7, #8, #9, #10, #11, #12, #13, #14, #15, #16, #17, #18, #19, #20, #21, #22, #23, #24, #25/1, #26/2, #27/3, #28/4, #29/5, #30/6, #31/7, #32/8, #33/9, #34/10, #35/11, #36/12, #37/13, #38/14, #39/15, #40/16, #41/17, #42/18, #43/19, #44/20, #45/21, #46/22, #47/23, #48/24, #50/26, #51/27, #52/28, #53/29, #54/30, #55/31, #56/32, #57/33, #58/34, #59/35, #60/36
All images this post copyright DC Comics. Original text copyright Jon D. Witmer/The Danger Digest.