Showing posts with label Rocket Red. Show all posts
Showing posts with label Rocket Red. Show all posts

Wednesday, October 13, 2010

60 WEEKS WITH THE JUSTICE LEAGUE: Week 59

Justice League America #59
Feb. '92
Breakdowns Part 13
"Ex-Factor"
It's the final stretch for those tired, old racehorces:
Keith Giffen, plot & layouts
J.M. DeMatteis, writ & wit
Bart Sears, pencils
Elliott/Beatty, inks
Bob Lappan, letters
Gene D'Angelo, colors
Kevin Dooley, coming around the far turn
Andy Helfer, headed for the glue factory

Justice League Europe #35
Feb. '92
Breakdowns Part 14
"The Ceremony of Innocence"
A fond farewell from the battered and weary team of Gerard Jones, Darick Robertson, Romeo Tanghal, Willie Schubert, Gene D'Angelo, Kevin Dooley, and the most battered and most weary: Keith Giffen and Andy Helfer.


Marking the return of Kevin Maguire to cover duties (a great concept somewhat poorly executed), JLA finds the League taking its fight to KooeyKooeyKooey, where Dreamslayer (still in Max's body) has ensorcelled the natives into mindless obedience. Bart Sears--again aided and abetted by the one-two punch of Elliott and Beatty--delivers another solid issue, and one which ends on a serious cliffhanger: While Silver Sorceress bleeds to death on KooeyKooeyKooey, J'onn, Beetle, Metamporpho, BlueJay, Power Girl, Rocket Red and Fire are all brain-drained by Dreamslayer, who turns these Leaguers into "the new Extremists" and sends them back to the JLI's cave HQ to wipe out their fellow teammates.



In JLE, Darick Robertson (with inks this time by Romeo Tanghal) turns in his best issue to date, with stunning art and pitch-perfect layouts. After his somewhat brazen disregard for the page grid in recent issues, he here shows some real restraint that supports the issue's somber tone. However, he does have the chance to experiment with some more creative layouts when Silver Sorceress lures Dreamslayer into her own mind for a final showdown. As her body lay dying, Silver Sorceress finally manages to destroy Dreamslayer, and in so doing frees the captive minds and bodies of Maxwell Lord, much of the Justice League and all of the surviving inhabitants of KooeyKooeyKooey. Before dying, she also manages an explanation of sorts for the disparity between her name and the color of her costume: Turns out, Silver Sorceress was colorblind.



Worthy of note is this "Announcement!" from "Justice Log," detailing the fates of the League books and creative staff:

Since it's already a done deal (and so there's nothing you can do about it--NYEAH-HA-HA!) here is the new regular creative team on JLA/E (Kaiser roll, please): with #61 Dan Jurgens will be the main force behind JLA, both as writer and penciller. Over at JLE will be Gerard Jones, writer, and Ron Randall, penciller, with #37. Brian Augustyn, editor of THE FLASH, OUTLAWS, THE JAGUAR, THE FLY, and THE SHADOW STRIKES! will be the new editor. When asked what he thought about editing this...cacophony, Brian was heard to say "HA-HA-BWAH!" So expect something completely different. We think that all Justice League fans--yes, every single solitary one of you--will enjoy what's going to happen here.
Keith Giffen will still be plotting LEGION OF SUPER-HEROES, the LOBO PARAMILITARY CHRISTMAS SPECIAL (not for the weak-hearted), a new ECLIPSO series, and a fun, fun, fun title with a new hero called THE HECKLER.
What are those two crazy editorial kids going to do? Andy now has the esteemed position of Group Editor for Experimental Projects at Piranha Press, so expect interesting new things from that quarter. Kevin is now the editor of GREEN LANTERN (with more spin-offs to come), AQUAMAN, RAGMAN, THE HECKLER, and more.

Both issue's lettercols offer cover credits. From "Justice Log": "Kevin Maguire, pencils; Terry Austin, inks; Bob Le Rose, colors." From "Europinion": "Darick Robertson, pencils; Romeo Tanghal, inks; Bob Le Rose, colors."


See you in seven days for Week 60 of 60 Weeks with the Justice League, or: The End (as we know it).


The complete 60 Weeks with the Justice League on The Danger Digest:
#1, #2, #3, #4, #5, #6, #7, #8, #9, #10, #11, #12, #13, #14, #15, #16, #17, #18, #19, #20, #21, #22, #23, #24, #25/1, #26/2, #27/3, #28/4, #29/5, #30/6, #31/7, #32/8, #33/9, #34/10, #35/11, #36/12, #37/13, #38/14, #39/15, #40/16, #41/17, #42/18, #43/19, #44/20, #45/21, #46/22, #47/23, #48/24, #49/25, #50/26, #51/27, #52/28, #53/29, #54/30, #55/31, #56/32, #57/33, #58/34, #60/36


All images this post copyright DC Comics. Original text copyright Jon D. Witmer/The Danger Digest.

Wednesday, September 15, 2010

60 WEEKS WITH THE JUSTICE LEAGUE: Week 55

Justice League America #55
Oct. '91
Breakdowns Part 5
"Bialya Blues"
"Breakdowns" continues, courtesy of Giffen, DeMatteis, Wozniak, Patterson, Lappan, D'Angelo, Dooley & Helfer. (Okay, we admit it--we couldn't think of any funny credits this month. Readers who subscribe only for the funny credits should contact our subscription department for an adjustment. They can use a laugh.)

Justice League Europe #31
Oct. '91
Breakdowns Part 6
"Things Fall Apart"
Giffen
Jones
Robertson
Beatty
D'Angelo
Schubert
Dooley
Helfer


... And just like that, "Breakdowns" seems to break down. Story-wise, JLA is a fine piece of work, although it feels curiously like it ought to be the last chapter in this crossover. Sumaan Harjavti plays his hand, exposing the Queen Bee's mind-control infrastructure and snapping the Global Guardians out of their collective, brainwashed stupor. (Oh, and it turns out that all this time, the dude wearing Jack O' Lantern's duds wasn't the real Jack. Convenient, or just confusing?) Then, when the Queen tries to flee the country, Harjavti kills her, and by issue's end is being hailed as Bialya's new leader. Meanwhile, Camus exposes Heimlich (who this issue is named Rolf, although two issues ago he was Kurt, but I digress), sending the U.N. into yet another emergency session. Too bad the art makes all of this as hard to decipher as possible; these pages look like the worst that Marvel comics had to offer back in the early '90s, with some downright awful layouts that do their best to confound rather than guide the reader's eyes.


There are also a few lettering mistakes from Lappan that really pained me to see. While I'm still not sold on Schubert's work for the League, this issue of JLE features his best lettering yet, and furthermore, Robertson and Beatty's art is (for the most part) outstanding through all 22 pages. Even when Robertson decides to get creative with his layouts, they're still a pleasure to behold and easy for the eyes to follow.


Unfortunately, JLE fails miserably in the story department. As if it weren't enough that we're in the sixth chapter of a 16-part League crossover event, the plot here also ties into the DC-wide "War of the Gods" storyline, resulting in roughly half the book being wasted on a portion of the team fighting Thor, Baldur and Loki (but not the Thor, Balder and Loki you're thinking of). Perhaps most egregious, as a result of the "Armageddon 2001" storyline that ran through all of DC's annuals in '91, Captain Atom is now (apparently) dead, but all we get to signify the passing of this book's team leader is a cursory reference.


Ultimately, only a few pages actually advance the overall "Breakdowns" storyline: First, Despero (predictably) escapes after battling Khunds in the depths of space, and now (predictably) he wants revenge (again) on the League; and the U.N. revokes the JLI's charter, leaving uncertain the fate of the JLA and immediately disbanding the JLE. Somehow I doubt next week's installment here at the D.D. will be much cheerier...



In other League news, L-Ron here officially takes over duties on both books' letters pages, but the execution leaves much to be desired. Most interestingly, "Justice Log" had to be printed following page 6 of the story proper in order to accommodate two painful double-page spreads. (At the opposite end of the interesting scale, L-Ron lets slip that Green Lantern #18 will be a "Breakdowns" crossover. Yeesh.) "Justice Log" and "Europinion" also accidentally run the wrong cover credits--blame it on the robot--so here I'll put things in their proper order. For JLA, it's "Sprouse by Chris pencils, Patterson by Bruce inks, Le Rose by Bob colors ... Oops, circuits got a little crazy there." And for JLE, it's "pencils by Darick Robertson, inks by John Beatty, colors by Bob Le Rose." Finally, in a sign of the awful things awaiting the League following JLA #60, the letters pages include this ballot:




The complete 60 Weeks with the Justice League on The Danger Digest:
#1, #2, #3, #4, #5, #6, #7, #8, #9, #10, #11, #12, #13, #14, #15, #16, #17, #18, #19, #20, #21, #22, #23, #24, #25/1, #26/2, #27/3, #28/4, #29/5, #30/6, #31/7, #32/8, #33/9, #34/10, #35/11, #36/12, #37/13, #38/14, #39/15, #40/16, #41/17, #42/18, #43/19, #44/20, #45/21, #46/22, #47/23, #48/24, #49/25, #50/26, #51/27, #52/28, #53/29, #54/30, #56/32, #57/33, #58/34, #59/35, #60/36


All images this post copyright DC Comics. Original text copyright Jon D. Witmer/The Danger Digest.

Wednesday, August 4, 2010

60 WEEKS WITH THE JUSTICE LEAGUE: Week 49

Justice League America #49
Apr. '91
"Glory Bound, Pt. 4: Glory and Shame"
Guns at the ready, a patriotic song on their lips, those freedom-fighting daredevils of DC strike again!
Keith Giffen, plot & breakdowns
J.M. DeMatteis, script & kibitzing
Linda Medley, pencils
John Beatty, inks
Bob Lappan, letters
Gene D'Angelo, colors
Kevin "Halls of Montezuma" Dooley, asst. editor
Andy "Montezuma's Revenge" Helfer, editor

Justice League Europe #25
Apr. '91
"Nightcrawlers!"
Keith Giffen, creepy plot
Gerard Jones, crawly dialogue
Bart Sears, squirmy pencils
Randy Elliott, wriggly inks
Bob Lappan, slimy letters
Gene D'Angelo, slippery colors
Kevin Dooley, squishy assistance
Andy Helfer, soil aeration


In the penultimate chapter of the "Glory Bound" saga, General Glory's accused of committing war crimes back in the Second World War, namely destroying an Allied P.O.W. camp and killing everyone therein. What with his amnesia and all, the good General can't say for certain that he's innocent, and goes willingly into custody--although Guy Gardner isn't quite so willing to stand by and watch this happen, and it takes the rest of the League to keep him from absconding with Glory and grinding the feds to pulp.


As the story unfolds, Schmidt takes flight in yet another Nazi superweapon, this one a flying sphere called "The Evil Eye." Meanwhile, Joe Mason, the artist of General Glory's old comic book, steps forward to help the League clear Glory's name. It's pretty fantastic (not to mention meta) that the fate of this hero seems to lie in the hands of his illustrator.


Speaking of artists, Medley continues to do excellent work in her fourth consecutive issue, but it's JLE whose pages really shine. The usual team of Sears and Elliott again handle the art chores, but Elliott seems to have upped his game significantly for the final chapter of the Crimson Fox origin arc, truly fleshing out Sears' pencils and adding three-dimensionality to the 2-D page. (Credit, of course, is also due D'Angelo's coloring prowess.) I've liked his inks since he joined this title back in issue 16, but here his contributions clearly elevate the already impressive art.



There being two sisters who share the cowl of the Crimson Fox, and my being pretty in the dark about the character beyond the JLE issues we've so far covered, I did wonder whether one of the two would prove to be expendable in the creators' eyes, but in usual heroic fashion, both D'Aramis sisters survive to continue fighting crime. There's no such happy ending for the giant worms, however, nor for the D'Aramis' sworn nemesis, Puanteur, whose thirst for vengeance completely blinds him to any practical considerations, such as preserving his own neck. This is a morality tale, after all.


"Justice Log" offers some fun facts this issue, great for keeping people entertained at parties, to wit:
The most important question we've ever been asked comes form Michael Thibodoeau, Edmunston, New Brunswick, Canada. It's "What does J'onn prefer most: Oreos, Oreo Double Stuff, or chocolate-coated Oreos?" Answer: yes, but usually the plain ones.
Lots of basic questions from Sigurdur Jonas Gudmundsson, Paris, France, like when we published and who was in our first JLA magazine. The first JUSTICE LEAGUE OF AMERICA was in 1960 and starred Superman, Green Lantern, Batman, and J'onn J'onzz. ... He asks who was DC's first character--probably Oswald the Rabbit in NEW FUN COMICS in 1935.
And of course, what's a letter column without cover credits? From "Justice Log": "Cover Credit Cards: Adam 'Mastercard' Hughes on pencils, Karl 'Visa' Story on inks, and Bob 'AMEX' Le Rose on colors." And from "Europinion": "Cover by Bart, Randy, and Bob--pencils, inks, colors."



The complete 60 Weeks with the Justice League on The Danger Digest:
#1, #2, #3, #4, #5, #6, #7, #8, #9, #10, #11, #12, #13, #14, #15, #16, #17, #18, #19, #20, #21, #22, #23, #24, #25/1, #26/2, #27/3, #28/4, #29/5, #30/6, #31/7, #32/8, #33/9, #34/10, #35/11, #36/12, #37/13, #38/14, #39/15, #40/16, #41/17, #42/18, #43/19, #44/20, #45/21, #46/22, #47/23, #48/24, #50/26, #51/27, #52/28, #53/29, #54/30, #55/31, #56/32, #57/33, #58/34, #59/35, #60/36


All images this post copyright DC Comics. Original text copyright Jon D. Witmer/The Danger Digest.

Wednesday, April 21, 2010

60 WEEKS WITH THE JUSTICE LEAGUE: Week 34

Justice League America #34
Jan. '90
"Club JLI"
Yes, they're at it again ... Keith Giffen, J.M. DeMatteis, Adam Hughes, Art Nichols, Bob Lappan, Gene D'Angelo, Kevin Dooley and that fun-lovin' kid from Brooklyn, Andy Helfer, have once more joined forces to hurdle the boundaries of good taste and bad jokes!

Justice League Europe #10
Jan. '90
"After the Fox!"
Another Giffen/Loebs/Sears/Marcos/Lappan/D'Angelo/Dooley/Helfer piece o' work!


The fun train keeps on rolling right into the 1990s, and what better way to welcome the new decade than with a relaxing jaunt to Club JLI? Advertised (mostly falsely) as being "fully sanctioned by Maxwell Lord" and "a wholly owned subsidiary of the Blue and Gold Entertainment Group," Beetle and Booster funded the project by emptying the League's coffers right under Max's nose; Kilowog then built the island facilities in a mere three days.


Desperate for a break, the Injustice League's very own Major Disaster and Big Sir arrive at Kooey Kooey Kooey to exploit the latter's knack for counting cards. And quite a knack it is, as the duo breaks the bank overnight.


However, as the aptly named Major Disaster is about to leave with the winnings, the island "wakes up," destroying Club JLI--and scattering Disaster and Big Sir's money--with a violent series of Earthquakes. What's more, the destruction wipes out the teleport tubes, leaving everyone still on the island stranded--at least until next month.


Meanwhile, in Paris, Bruce Wayne's bat-sense is a-tingling, but not because of the casino's plight. Instead, he's distracted by the theft of a globe full of cash during a charity auction co-hosted by Vivian D'Aramis, who just so happens to be the Crimson Fox.


Slipping out of the event and into her crimefighting duds, the Crimson Fox ably wrestles the thieves' helicopter down, crash-landing it in Captain Atom's room at the JLE's Paris embassy. The Captain's not exactly enthusiastic about this turn of events, but despite his misgivings, it looks like Crimson Fox will be a regular in these pages.


It's a solid start to 1990, with good writing, mostly great art (there are a handful of dicey panels in JLE, I won't lie, but overall both books look swell) and one of the best covers of JLA's run.  Speaking of covers, the credits from "Justice Log" go like this: "This issue's cover was pencilled and inked by Adam with coloring by the unquenchable Bob Le Rose." And from "Europinion": "Bart pencilled and inked the cover all by his widdle self. Bobby Le Rose colored it."



The complete 60 Weeks with the Justice League on The Danger Digest:
#1, #2, #3, #4, #5, #6, #7, #8, #9, #10, #11, #12, #13, #14, #15, #16, #17, #18, #19, #20, #21, #22, #23, #24, #25/1, #26/2, #27/3, #28/4, #29/5, #30/6, #31/7, #32/8, #33/9, #35/11, #36/12, #37/13, #38/14, #39/15, #40/16, #41/17, #42/18, #43/19, #44/20, #45/21, #46/22, #47/23, #48/24, #49/25, #50/26, #51/27, #52/28, #53/29, #54/30, #55/31, #56/32, #57/33, #58/34, #59/35, #60/36


All images this post copyright DC Comics. Original text copyright Jon D. Witmer/The Danger Digest.

Wednesday, March 3, 2010

60 WEEKS WITH THE JUSTICE LEAGUE: Week 27

Justice League America #27
June '89
"Mindsnap"
Keith Giffen: plot & breakdowns
J.M. DeMatteis: script
Ty Templeton: pencils
Rubinstein/Giordano: inks
Bob Lappan: letters
Gene D'Angelo: colors
Kevin Dooley: asst. editor
Andy Helfer: in need of deprogramming

Justice League Europe #3
June '89
"Another Fine Mess!"
Keith Giffen: plot
J.M. DeMatteis: script
Bart Sears: pencils
Pablo Marcos: inks
Albert De Guzman: letters
Gene D'Angelo: colorist
Kevin Dooley: asst. editor
Andy Helfer: editor


The Queen Bee's schemes--which were most visibly set in motion back in JLI #16--start coming to fruition in both titles this week, and so far, those schemes have a lot to do with mind control. First, in JLA, Maxwell Lord brings in the Suicide Squad's Amanda Waller to try and deprogram Blue Beetle after his violent rampage last ish.


Then, in JLE, Power Girl, Flash and Elongated Man decide to investigate the Global Guardians' Dome HQ, which has been made a landmark open to public tours. (It should be mentioned that the Leaguers pursue this course of action because the weirdoes they fought last issue turned out to have been former Guardians themselves. Who knew? Obviously not me, so I was happy to have it spelled out in this issue.) Once there, the crowd gets mind-wiped and attacks, much like the mob scene back in JLE's first issue.


Honestly, this week was somewhat of a downer. JLA felt a bit like treading water, and JLE seems to be floundering with its tone, unsure of the balance to strike between humor and sobriety. JLA's cover is mighty fine, though, in its homage to The Exorcist, but JLE's seems bizarrely modeled after Uncanny X-Men #141. Anyhow, next week brings two more issues, and I've gotta trust that as this Queen Bee/Bialya storyline plays out, the clouds will part and some fresh zaniness will ensue.



The complete 60 Weeks with the Justice League on The Danger Digest:
#1, #2, #3, #4, #5, #6, #7, #8, #9, #10, #11, #12, #13, #14, #15, #16, #17, #18, #19, #20, #21, #22, #23, #24, #25/1, #26/2, #28/4, #29/5, #30/6, #31/7, #32/8, #33/9, #34/10, #35/11, #36/12, #37/13, #38/14, #39/15, #40/16, #41/17, #42/18, #43/19, #44/20, #45/21, #46/22, #47/23, #48/24, #49/25, #50/26, #51/27, #52/28, #53/29, #54/30, #55/31, #56/32, #57/33, #58/34, #59/35, #60/36


All images this post copyright DC Comics. Original text copyright Jon D. Witmer/The Danger Digest.

Wednesday, October 28, 2009

60 WEEKS WITH THE JUSTICE LEAGUE: Week 9


Justice League International #9
Jan. ‘88
“Seeing Red”
Keith Giffen: plot & breakdowns
J.M. DeMatteis: script
Kevin Maguire: pencils
Al Gordon: inks
Bob Lappan: letters
Gene D’Angelo: colors
Andy Helfer: editor

Backup story:
“Brief Encounter”
Giffen: plot & pencils
DeMatteis: script
Gordon: inks
Mas: letters
D’Angelo: colors
Helfer: long lunches


Despite being a tie-in to a crossover event that I ignored at the time and continue to ignore now--and despite the way-lame cover--this was probably the most exciting issue yet of this incarnation of the Justice League. Consider what happens:

Rocket Red reveals he is a Manhunter:

Oberon does his best Harvey Pekar impersonation:

Pelé organizes the official Tang soccer team, which went on to not make it to the 1990 World Cup :

Mr. Miracle quotes every character from Star Wars at the same time:

Ms. Wootenhoffer guns down Maxwell Lord:

On the other hand, the backup story--which reveals that Bialya’s Colonel Rumaan Harjavti is trying to organize his own super team, starting with the Global Guardians’ Jack O’ Lantern (and which, despite the title, has nothing to do with the David Lean film)--plays kinda like this panel stretched out over six pages:


The complete 60 Weeks with the Justice League on The Danger Digest:
#1, #2, #3, #4, #5, #6, #7, #8, #10, #11, #12, #13, #14, #15, #16, #17, #18, #19, #20, #21, #22, #23, #24, #25/1, #26/2, #27/3, #28/4, #29/5, #30/6, #31/7, #32/8, #33/9, #34/10, #35/11, #36/12, #37/13, #38/14, #39/15, #40/16, #41/17, #42/18, #43/19, #44/20, #45/21, #46/22, #47/23, #48/24, #49/25, #50/26, #51/27, #52/28, #53/29, #54/30, #55/31, #56/32, #57/33, #58/34, #59/35, #60/36


All images this post copyright DC Comics. Original text copyright Jon D. Witmer/The Danger Digest.

Wednesday, September 16, 2009

60 WEEKS WITH THE JUSTICE LEAGUE: Week 3


Justice League #3
July ‘87
“Meltdown”
Keith Giffen: plot & breakdowns
J.M. DeMatteis: script
Kevin Maguire: pencils
Al Gordon: inks
Bob Lappan: letters
Gene D’Angelo: colors
Andy Helfer: editor
Special thanks to Terry Austin


As did issue 2, issue 3 ends with another would-be letters page commandeered by editor Andrew Helfer. I give him credit for emphasizing the important role of the inker, letterer and colorist, but when he writes “Gene is one of the few guys that can take characters of fifty different colors and find a background color that NONE of theme fade away against,” it really seems to diminish the thoughtfulness and artistry that goes into good coloring and, indeed, is evident in D’Angelo’s work. Perhaps more illuminating is Helfer’s quick run-through of the creative process behind this book:

“Mr. Giffen plots the story first--that is, he sits down with the editor at regular intervals (usually once a month) and figures out the events that will take place in any given issue. This includes both major plots, subplots, character ‘bits’ and anything else the plotter cares to toss in. Usually, the average writer will then hand in a typed, page-by-page breakdown of the story, which the penciller will then illustrate; in Mr. Giffen’s case, an uncontrollable fear of typewriters (or maybe just their ribbons) forces him to produce his plots as a set of mini-pages, which acts as a layout ‘guide’ for the pencil artist [….] Once the page is penciled, the entire package is shipped off to the scripter, who dialogues the pages based on the plot.”


Helfer goes on to explain scripter J.M. DeMatteis’ late arrival to the title; apparently the plotted and penciled pages for the first issue sat for some time before DeMatteis was officially on the book and writing the dialogue, which in turn slowed the inking process, requiring Al Gordon to take over responsibilities from Terry Austin. To my mind, even though this essentially describes the now-antiquated “Marvel Method,” when two writers are involved, it opens the door for a disconnect between the art and text such as is seen on page 12:


If the man in the red suit is the first to recognize the danger, his expression in the fourth panel seems redundant at best and awkward or downright inconsistent at worst. My suspicion (and it is only a suspicion) is that DeMatteis’ script changed the action Maguire penciled from Giffen’s breakdowns; it looks suspiciously like the workers seen in the first two panels realize the danger when the screen illuminates in panel three, and the man in the foreground of panel four is the only one who voices the reality these players are all suddenly made aware of.

But I’m getting ahead of myself. Sticking with the art for a moment but jumping back to the book’s cover, I feel this issue is a definite improvement over issue 2, but it still falls short of the bold standard set by the series’ first issue. All the same, I very much respect the composition, with the title itself pointing to our heroes, who are further caged by the fence (made to look even more threatening thanks to the illustration’s perspective) and the encircling Rocket Red Brigade.

The 22-page story itself plays out pretty straightforwardly: Colonel Harjavti convinces Wandjina, Silver Sorceress and Bluejay--the three aliens who have come to Earth to destroy the planet’s nuclear arsenal and prevent the type of global cataclysm that left their home world a lifeless husk--to remove the Soviet Union’s warheads, leaving the Justice League no choice but to breach Soviet airspace and risk an international “incident” to stop the trio.


Inside Russia, the team is stopped by the Soviets’ super-guardians, the Rocket Red Brigade, and airborne fisticuffs naturally ensue. However, with so many super-powered folk flying around uninvited, Russia’s nuclear infrastructure goes on high alert, and when the nuclear power plant from page 12 improperly shuts down, the Rocket Reds are forced to seek the League’s assistance in preventing a core meltdown.


Arriving at the plant, the general consensus is it’s too late to do anything, until Wandjina flies into the belly of the beast, apparently sacrificing himself to save the day--an act of heroism the rest of this cast seems incapable of performing. (Granted, I can appreciate that it’s bad for business to kill Batman--oh, wait. Anyhow, back in ’87, it wasn’t so easy for DC’s characters to return from the dead.)


Kicked out of the Soviet Union as soon as the crisis has been averted, the JL returns to headquarters, where they find the enigmatic Maxwell Lord waiting with the League’s “newest member,” Booster Gold.


Lord also factors into the middle of this book, when he makes a phone call to Gorbachev himself (or at least his cartoon counterpart) in order to smooth over the JL’s intrusion into the U.S.S.R.


Over this series’ first three issues, I dare say Lord’s behind-the-scenes moves have been the most interesting--or intriguing, anyway--story beats, and I’m hopeful that his stepping out of the shadows will pay dividends over the next few (or, ideally, more) issues.

It’s certainly noteworthy that thus far, the League has spent most of its time either fighting amongst itself or chasing after three aliens whose mission was essentially righteous. It’s a sign of the times that the Cold War takes such a front seat, and it’s significant that Reagan is frequently name-dropped and Gorbachev actually makes an appearance. This iteration of Justice League began its run roughly a month after Reagan addressed the nation regarding the Iran-Contra affair, and only a year and a half after the Challenger tragedy. It’s disingenuous, of course, to say that in 1987 the world seemed decidedly real, but for whatever reason, the “real world” was invited into the pages of our four-color entertainment. (In truth, this could well have to do with the aftermath of DC’s epic Crisis on Infinite Earths: After decades of multiple Earths existing across the dimensional planes, the company wanted its readers to know that the One World that remains is very much Our World.)

More next week…




The complete 60 Weeks with the Justice League on The Danger Digest:
#1, #2, #4, #5, #6, #7, #8, #9, #10, #11, #12, #13, #14, #15, #16, #17, #18, #19, #20, #21, #22, #23, #24, #25/1, #26/2, #27/3, #28/4, #29/5, #30/6, #31/7, #32/8, #33/9, #34/10, #35/11, #36/12, #37/13, #38/14, #39/15, #40/16, #41/17, #42/18, #43/19, #44/20, #45/21, #46/22, #47/23, #48/24, #49/25, #50/26, #51/27, #52/28, #53/29, #54/30, #55/31, #56/32, #57/33, #58/34, #59/35, #60/36


All images this post plus Andrew Helfer quotes copyright DC Comics. Original text copyright Jon D. Witmer/The Danger Digest.